Fresh off the release of his sophomore album "The Hardest Love," the Australian artist reflects on the biggest moments, both past, present, and to come, of his storied journey.
There's a particular moment that Dean Lewis can trace back to the beginning. It took place a few years back, not too long after the artist's debut EP had made waves, and a follow up first album was continuing that momentum. Dean committed to a small yet serious gig at a bar, where he'd expected a crowd with the sole intention of listening to his performance. After all, songs like "Be Alright" and "Half a Man" were playing on radio stations across the world and garnering streams with ease. But instead of marking an inspiring starting point, the gig has only offered Dean contrast.
"Turns out no one was listening. I played for 20-25 minutes while everyone was talking so loud. [...] Going from that to upgrading my show in Cologne to 10,000 people is crazy. I sold out the Margaret Court Arena in Australia, and I’m doing these crazy shows and festivals," Dean said, reflecting on the last few years.
The most fascinating thing about our conversation was listening to Dean make sense of his experiences, and in turn granting even more meaning to his already profound body of work. He journeyed down his own past as an emerging artist who was deliberately crafting an identity, and then shifted to a more vulnerable conversation about his dad's illness and how music has been an outlet to cope with those heavy feelings. As I listened to Dean unravel his process, I realized that he single-handedly has deconstructed the label of "songwriter" in order to merge it with "storyteller," and that's why although it comes from a personal place, Dean Lewis' music will reach you no matter what you're going through.
Before he sets out for his global tour, which will encompass Indonesia, Australia, New Zealand, several countries in Europe, and Canada, Dean sat down with MUD to reflect on how the biggest moments of his life – both past, present, and those yet to come – continue to define his one-of-a-kind artistry.
You posted a TikTok about your first gig ever. I would love to ask you, how has that journey been? In retrospective, is there any advice you would give your past self?
D: Yeah, I remember the first show I played. My dad flew over to come with me, and it was at this place called “Elephant and Castle” in London. There was a PR person there with my manager, and they were looking to sign me. She was quite a big deal. I didn’t have a record label or anything yet. I brought my piano out and I thought to myself, “it’s just a show, right?” It’s a bar, but people would be there to listen. Turns out no one was listening. I played for 20-25 minutes while everyone was talking so loud. I was playing “Be Alright” and “Half a Man” which were my biggest songs, and yet no one was listening. At one point I looked out to my dad and I could just tell he felt so bad for me. I remember thinking, “oh, God, maybe I don't have this cut out for me.” But the PR person actually ended up signing me still. Going from that to upgrading my show in Cologne to 10,000 people is crazy. I sold out the Margaret Court Arena in Australia, and I’m doing these crazy shows and festivals.
The advice I would give myself is that no one knows what they're talking about, but people will look you dead in the eye and say “this is the move you should make” and they can be dead wrong, and you'll fail from it. Then when the failure happens, they're gone. They might still be there, but they don't even talk about it. It's like it never happened. And I've always been really good about trusting my own instincts and not just doing what people say. I think that's why I was successful at the start. Ultimately, the advice is to stay true to yourself because no one knows what they're doing. And when it doesn't work, you fail on their terms. And I'd rather fail on my own or with my own, do whatever on my own.
I love that because you’ve remained true to yourself. Between your new album “The Hardest Love” and what you were releasing three years ago, it’s all evolved but at the same time, it's so uniquely yours.
D: Absolutely. Now more than ever, I’ve been looking back at the songs that connected with people the most. As I reflected on them I kept asking myself, why did these connect? What’s it about these ones? There’s a sound in “Be Alright,” a style of songwriting that's unlike anything else. For better or worse, it's a unique sound. One thing that's really important for me is to establish a sound. I don't necessarily want to be different. I want to have my own thing. And that’s really difficult nowadays, especially in the TikTok world, to have your own sound.
As an artist, during your first two albums and maybe even three, focus on defining your sound and then start to angle away a little bit. Just push a little bit, but don't do the 90 degree turn. I think a lot of artists release that first album and then just turn 90 degrees in a new direction, and fans are like “What's going on here?”
On the topic of songs that connect with people, your song, “How Do I Say Goodbye” has left an impactful mark on so many people. I would love to hear the story behind it and how you brought it to life because it must have been a difficult and emotional process.
D: I’ve noticed that my most successful songs have a universal theme, but it's not meant to be universal. It’s always personal. I wrote “How Do I Say Goodbye” because my dad was really sick and they gave him one year to live – 20% chance to live past a year to be exact. It was impossible to process. He had a really aggressive form of pre leukemia, the worst you can get. While this was all happening, I wrote about what I was going through. And it's very rare that a song feels complete to me. I’ll write a lot of songs but there’s always something missing. This time around it was incredible. As I was listening to it, I kept getting emotional and I’m never that emotional with my music. I'm very analytical about it. I remember listening back to it and crying. I thought to myself, if I’m feeling this, then this is going to be crazy.
When I finished the demo, I went to England to where I recorded “Be Alright” and “Waves.” I worked with Nick and Ed, my produces, to get the song to where I wanted it to be. I then had it in my back pocket for a long time, but I didn’t release it during COVID. People kept telling me it was a “death song” and that it wasn’t the right time. But it’s the best song I’ve ever written, and once it came out and became a hit, I felt a rush of excitement.
It made me so happy when it came out because it proved what my best mate told me years ago, which has always stuck with me: Art always finds a way. That doesn't necessarily mean something's going to be a huge hit, but it means that in life, art will find an audience, it will find a place to be big in. It will find something.
Your creative process is truly fascinating. Was there a different journey with your latest album, “The Hardest Love?”
D: This one took too much time because of COVID. We waited to see how things turned out, but it was a weird time. There’s this song from the album called “To Have You Today” and I was so sure it’d be a hit. When I released the album, the streaming numbers weren’t there, and I realized how much the world had changed. I used to put a lot of importance on things that don't really matter. My new goal is just keep swinging for the biggest and best I can do and not worry about what I can’t control. Try to make every song as good as it can be. I think that's my plan now.
I can see this on the videos your friends have been capturing at your shows. Videos that show people bawling their eyes out, feeling the music. It reflects how profound the music is.
D: Everyone’s emotional at the shows. This album has taken it to a new level. Because with “Be Alright,” people used to come up to me and share their break ups and relationship stories. But this is a different feeling because people share stories about losing a friend or their parents. Some are even relating it to romantic love as well. For some it cuts deep. This is when I knew the song was connecting straight away. It’s all been very emotional.
It’s easy to feel a lot of strong emotions with your songs. Are you conscious of this when you write? Would you ever shift to a different path?
D: I’m having so many conversations about this because the next song I want to put out is quite emotional – I even get goosebumps about it. People are telling me it’s time to go for big radio, straight up, huge chorus kind of songs. The thing is that I feel like I have defined a sound, and not every artist can say that. It’s been a hard process. If I put the next song out, it's a deep, emotional track that I'm really proud of and it says something that's a bit different. I can define the sound and have a style of songwriting because there's a certain point where you own it. It’s successful and it connects with people. I've done the thing where you do something that works, and then you go hard left. And I'm struggling with that still. There are artists that keep doing the same thing over and over again, and people can get over it. But I believe that the next song can continue to define my sound, and then after that, I’m going to push it a little bit. To sum it up, everything has to have a meaning. That’s the most important thing.
It’s cool to hear this now after seeing you put it in practice last time you played in New York. I can see why people experience such big reactions to your music. Hearing them live hits on a whole different level. What are you looking forward to the most about getting back on the road?
D: During the last six years, I’ve been watching other artists play these arena shows. I kept asking myself, is it ever going to happen? Now this will be the first time in Europe that I’m not only doing arenas, but they’re selling out. I do get imposter syndrome, but I'm excited to finally get to this place and also feel like I belong here, which is really cool. Not many artists get to play at these places to this many people. These are insane moments for me and hopefully it keeps growing, but at least I got to this point, and that's really cool.
You should see if there’s a world record for highest amount of people crying in the same place. Stadium tours and big arenas. You might be setting some records.
D: I love that. That's actually gold.
You’ll be touring for a little while, which is super exciting. What are some things that you bring with you on the road?
D: Well my brother comes with me all the time. But in terms of physical things, you need a tour bus. You cannot tour the world flying. It is brutal. So tour bus is the way to go, my brother. You also want to have a really good band with you. You want to have lots of clean shirts and clothes and stuff like that. And the most important thing is sleep. There is no partying for me, just drinking. You got to keep your voice, cause if I lose my voice, there’s no shows. So even if you’re at a bar, nothing crazy, you’re still talking. And the last one is a routing. For me, I get up, work out, shower, find a coffeeshop, and then site there and write.
Yeah! I remember you posting your notebook on IG stories during your last tour.
D: Oh, you got to do it. Writing is the best thing in the morning. If you're floating through life and you feel anxious, like you're not getting anywhere, and stressed, get up in the morning and write half a page or a paragraph. Don't read it back. It can be messy. No formatting, whatever you're thinking, write your goals down. Write about what worries you, how you're going to solve things, and your life will change. It has absolutely changed for me.
I’m most anxious during the mornings, so I’m definitely going to do this from now on.
D: Take all those negative thoughts, brew your own cup or go to a coffeeshop and get an Americano or your favorite coffee, and write. Do it every day. It’ll be the best thing ever.
Are you writing anything at the moment? And is there anything you can give us a sneak peek on?
D: I didn’t take time off, so it’s been a while since I’ve taken a pause. The next song that I'm thinking of releasing is really interesting because I actually added the sound of rain to it. Actual rain and thunder sounds. This is my 5% pushing into something that's new and a little bit exciting. But the song that I'm thinking about right now is really emotional song. It fits into the “Be Alright” world. It’s me pushing myself lyrically, and it’s powerful. It gave me goosebumps, so that’s a good sign.